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[personal profile] zenithblue
I occasionally like Stephen King the writer, and really do like Stephen King the philanthropist, but Stephen King the literary critic is really starting to piss me off.

Every single time he gets a chance to address his more literate readers all he can offer is some defensive populist anti-snob snobbery that says nothing about what a piece of fiction can be called upon to achieve, but which only bemoans the pretention of other more cerebral writers. This little rant has been building up for me for a while, because on some counts I agree with King. I do believe a lot of very quality fiction gets exiled to genre racks as a result of the publishing company's whims. I do believe that the fantastic is fertile grounds, and that plot is not a mark of inferior writing. But when his lament turns its bitter eye on tropes and maneuvers that he finds lacking, one can only see a child who has been hit by stones, stooping down to gather them up just so he can fling them back.

Today's short editorial in the New York Times Magazine bitching about the state of American short fiction is his most recent assault. This year King was the editor of the Best American Short Stories collection. Frankly, I think this was a good idea; I like the diversity of editors that BASS uses. And King, though his work to me is incredibly uneven and erratically literary, is undoubtedly an American storyteller every bit as representative as previous editors of the collection. As the editor of course it's his choice what to include; of course it's his prerogative to scorn some of the lesser choices. But to proclaim that the short story is ailing, that a huge amount is "show-offy rather than entertaining, self-important rather than interesting, guarded and self-conscious rather than gloriously open, and worst of all, written for editors and teachers rather than for readers," and then to argue that this is an indication of the form's decline? Foolishness. Of course a lot of fiction is silly, insipid, and vapid. There's more of it being written then ever before, and the ratio of wheat-to-chaff is never what we might hope for. That's why we have awards judged by different types of people every year; that's why we have the Pushcart and the BASS and the O. Henry, in order to keep a discourse about what we value in fiction. What we value, not just what we want to devalue.

This one essay in and of itself doesn't really bother me that much; I am grouchy and critical too, and someday might want to vent my frustrations in a too-short-to-make-a-real-point editorial somewhere. But this essay in conjunction with a lot of King's other recent bitching and moaning just makes me hostile. Hodge made the mistake of reading out loud to me King's postscript to the end of The Dark Tower (in which book, in case you don't already know, the characters actually meet a character--a writer!--named "Stephen King"). Once again, King becomes defensive about the technique he uses, afraid it will make him "experimental" or "pretentious." In his postscript he claims that most other writers use metafiction to be overly clever and cute and show-offy, but King uses it to create a very genuine discourse about art and creativity. Well, of course. Of course King came up with a use for metafiction no one else ever came up with. When you put it that way, Steve, I have a new respect for your convoluted and BY THE WAY self-conscious opus. You will know the definition of "self-conscious" by now, since you're fond of slinging it around as an accusation.

His acceptance speech for the National Book Award a few years back was a bit more graceful, but still oddly defensive. At one point he accuses the judges of giving him the award as a "token," a way to deal with that annoying pop literature issue: "What do you think? You get social or academic brownie points for deliberately staying out of touch with your own culture?" Yeah, as if quote unquote "literary writers" have nothing valid to say about their culture. As if there's nothing valid or entertaining to be found in the more obscure literary works up for awards, works that don't stand a chance of selling on the popular market and thus funding another year of work. While I agree that the line between genre fiction and literary fiction is artificial and could do with more crossing, I don't know that pure snobbery accounts for Grisham's lack of literary recognition. And some of King's complaints feel archaic, considering the amount of crossover literary success I've seen in the last ten years; the readers of my generation are as likely to be claiming canon-space for William Gibson, Jonathon Lethem, and Kelly Link as they are for more traditional literary writers, and people like Michael Chabon and Glen David Gold have made a number of us recall the joy to find in pure plot satisfaction.

I feel like there's a more organic way to look at literature, across a spectrum of art and storytelling and entertainment. If King weren't so defensive about his own place on the spectrum (or maybe about where his detractors place him on that spectrum), I think he'd have more interesting things to say about it.

on 2007-09-30 11:55 pm (UTC)
Posted by [identity profile] decemberthirty.livejournal.com
I was going to email you tonight and ask if you were feeling better, so I guess I'll just ask here. Are you feeling better?

Anyway, it's probably no surprise that I agree with what you're saying here. As far as the wheat vs. chaff question, I think it's important to remember, when bemoaning the state of contemporary literature, that there has always been a high ratio chaff to wheat. There has never been a literary period without chaff. It's easy to think that things were better back in some other era, but it's just because we no longer read the chaff of 100 years ago.

on 2007-10-01 02:32 am (UTC)
Posted by [identity profile] zenithblue.livejournal.com
I'm feeling a bit better, though I'm still coughing a lot. It was a nasty little bout. I'll give you a call when I won't just be coughing in your ear...

on 2007-10-01 02:04 am (UTC)
Posted by (Anonymous)
<http://www.theatlantic.com/doc/200107/myers>

on 2007-10-01 02:23 am (UTC)
Posted by [identity profile] zenithblue.livejournal.com
Oh don't get me started on the Atlantic and its taste in fiction. They don't even value it enough to print it every month now. They pride themselves on never publishing unknown writers. And they hate anything that remotely breaks some strange archaic rules that they've written. They've revoked their own right to even enter the discourse on good fiction anymore.

*grouch grouch grouch*

on 2007-10-01 03:08 am (UTC)
Posted by [identity profile] zenithblue.livejournal.com
...I mean, Don Delillo! He harps on Don Delillo! A sentance can't have complex syntax or break the rules to do something new? This is what I'm talking about...they are unbearably limited and unsupportive of anything that might be innovative!

Fine. Their magazine, their editorial fiat. But personally, I think it's crap.

*rage explosion*

on 2007-10-03 03:42 pm (UTC)
Posted by (Anonymous)
For what it's worth, the link I sent you was to an article by a guest columnist who was savaged in the letters column over the next month or two. I've been disappointed that The Atlantic doesn't run as much fiction as they used to. What I do like about the magazine is that generally they run articles presenting different points of view. It's so easy now to keep oneself in a cocoon of people that agree with you, but I appreciate the fact that they don't always impose their opinions on their writers and that they allow very long letters to the editor to discuss issues raised in the articles, and that often the writer will then respond to keep the conversation going.

on 2007-10-03 06:39 pm (UTC)
Posted by [identity profile] zenithblue.livejournal.com
I do appreciate active discourse from diverse places. It's just too bad that editorial perspective doesn't include fiction; they are notoriously close-minded and nasty about fiction. I mean, big glossies in general have very specific fiction niches (Harpers is the only one that really publishes anything experimental) but the Atlantic specifically has got a truly antagonistic approach to literature.

on 2007-10-01 02:16 am (UTC)
Posted by [identity profile] punkybrister69.livejournal.com
Agreed.
He's smelly.
But you said it so much more eloquently than that.

on 2007-10-01 02:41 am (UTC)
Posted by [identity profile] zenithblue.livejournal.com
See, it makes me mad because I don't 100% think he's smelly, I sometimes kind of like him. Sometimes. I think The Shining is one of the best American haunting books of all time. But damn, dude, get *over* yourself. Stop denigrating the hard work other people do in order to make your own work look more valuable.

on 2007-10-01 04:05 am (UTC)
Posted by [identity profile] goselam.livejournal.com
I lost whatever respect I may have at one point had for Stephen King when I read The Gunslinger's postscript, in which he disparages authors who make use of outlines.

on 2007-10-04 01:08 pm (UTC)
Posted by [identity profile] zenithblue.livejournal.com
Well of course he's beyond the simple organizational techniques of lesser writers. :P

on 2007-10-01 05:33 pm (UTC)
Posted by [identity profile] te-amo-azul.livejournal.com
How celebrity jarringly amplifies personal idiosyncrasies. How marketability gives a voice to King, an amazingly skillful storyteller, but a less skillful critic. It's all the more frustrating that this tension between genre fiction and literature really does deserve to be thought out and expressed by a voice that will do it justice.

The saddest part for me is that King's audience -- the folks who appreciate a well-written story and might explore beyond genre fiction -- could really benefit from a more expansive, questioning position, and his seems to fall into limiting and name-calling.

The dude should take a page from the Oprah book club. He's missing an opportunity here.

on 2007-10-05 01:21 am (UTC)
Posted by [identity profile] zenithblue.livejournal.com
For sure. I totally appreciate that he himself is very well read. He's recommended Delillo and Murakami both to others. I just don't like his rhetoric that much, I guess.

on 2007-10-02 05:53 pm (UTC)
Posted by [identity profile] lagizma.livejournal.com
Your rant and love/hate for King reminds me of my own personal relationship with David Foster Wallace, who I have ranted at.

on 2007-10-05 01:22 am (UTC)
Posted by [identity profile] zenithblue.livejournal.com
I think you are not incorrect in that assessment. As much as I shudder to consider Wallace and King within the same heartbeat of each other.

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